{"id":15579,"date":"2016-09-23T10:38:24","date_gmt":"2016-09-23T14:38:24","guid":{"rendered":"http:\/\/polarismusicprize.ca\/fr\/?p=15579"},"modified":"2016-10-24T14:27:29","modified_gmt":"2016-10-24T18:27:29","slug":"les-nommes-du-prix-du-patrimoine-polaris-de-la-famille-slaight-sont-devoiles-le-vote-est-ouvert","status":"publish","type":"post","link":"https:\/\/polarismusicprize.ca\/fr\/blog\/les-nommes-du-prix-du-patrimoine-polaris-de-la-famille-slaight-sont-devoiles-le-vote-est-ouvert\/","title":{"rendered":"Les nomm\u00e9s du Prix du Patrimoine Polaris de la famille Slaight sont d\u00e9voil\u00e9s; le vote est ouvert"},"content":{"rendered":"<div><a href=\"https:\/\/polarismusicprize.ca\/wp-content\/uploads\/2016\/09\/Slaight-Family-Polaris-Heritage-Prize-no-sponsor-680.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-15578\" src=\"https:\/\/polarismusicprize.ca\/wp-content\/uploads\/2016\/09\/Slaight-Family-Polaris-Heritage-Prize-no-sponsor-680.jpg\" alt=\"slaight-family-polaris-heritage-prize-no-sponsor-680\" width=\"680\" height=\"268\" srcset=\"https:\/\/polarismusicprize.ca\/wp-content\/uploads\/2016\/09\/Slaight-Family-Polaris-Heritage-Prize-no-sponsor-680.jpg 680w, https:\/\/polarismusicprize.ca\/wp-content\/uploads\/2016\/09\/Slaight-Family-Polaris-Heritage-Prize-no-sponsor-680-300x118.jpg 300w\" sizes=\"auto, (max-width: 680px) 100vw, 680px\" \/><\/a><\/div>\n<div>Les albums nomm\u00e9s pour le Prix du Patrimoine Polaris de la famille Slaight 2016 ont \u00e9t\u00e9 d\u00e9voil\u00e9s.<\/div>\n<p>Le Prix du Patrimoine pr\u00e9sente une courte liste de 10 albums pour chacune des quatre \u00e9poques musicales distinctes suivantes: 1960-75, 1976-85, 1986-95 et 1996-2005. La courte liste de chaque \u00e9poque a \u00e9t\u00e9 s\u00e9lectionn\u00e9e par un groupe d\u2019historiens et de journalistes experts en musique canadienne. Le gagnant pour chaque \u00e9poque sera d\u00e9termin\u00e9 au moyen d\u2019un <a href=\"https:\/\/polarismusicprize.ca\/fr\/prix-du-patrimoine\/2016-courte-liste\/\">vote public<\/a>. C\u2019est en quelque sorte notre version d\u2019un Temple de la renomm\u00e9e.<\/p>\n<p>Le vote public a officiellement d\u00e9but\u00e9 hier soir lors du gala du Prix de musique Polaris 2016. Il sera possible de <a href=\"https:\/\/polarismusicprize.ca\/fr\/prix-du-patrimoine\/2016-courte-liste\/\">voter<\/a> jusqu\u2019au 17 octobre, et les albums gagnants de chaque \u00e9poque seront annonc\u00e9s le 24 octobre.<\/p>\n<p>Voici les albums en nominations:<\/p>\n<div><strong>1960-75<\/strong><\/div>\n<div>The Band &#8211; Music From Big Pink<\/div>\n<div>The Band &#8211; The Band<\/div>\n<div>Robert Charlebois &amp; Louise Forestier &#8211; Lindberg<\/div>\n<div>Leonard Cohen &#8211; Songs Of Leonard Cohen<\/div>\n<div>Gordon Lightfoot &#8211; Lightfoot!<\/div>\n<div>Joni Mitchell &#8211; Court And Spark<\/div>\n<div>The Oscar Peterson Trio &#8211; Night Train<\/div>\n<div>Jackie Shane &#8211; Live<\/div>\n<div>Neil \u00a0Young &#8211; Everybody Knows This Is Nowhere<\/div>\n<div>\n<p>Neil \u00a0Young &#8211; After The Gold Rush<\/p>\n<\/div>\n<div><strong>1976-85<\/strong><\/div>\n<div>Bruce Cockburn &#8211; Stealing Fire<\/div>\n<div>D.O.A. &#8211; Hardcore &rsquo;81<\/div>\n<div>Fifth Column &#8211; To Sir With Hate<\/div>\n<div>Glenn Gould &#8211; Bach: The Goldberg Variations<\/div>\n<div>Martha and the Muffins &#8211; This is the Ice Age<\/div>\n<div>Kate &amp; Anna McGarrigle &#8211; Kate &amp; Anna McGarrigle<\/div>\n<div>Jackie Mittoo &#8211; Show Case Volume 3<\/div>\n<div>Rough Trade &#8211; Avoid Freud<\/div>\n<div>Rush &#8211; Moving Pictures<\/div>\n<div>Leroy Sibbles &#8211; On Top<\/div>\n<p><strong>1986-95<br \/>\n<\/strong>Blue Rodeo &#8211; Five Days In July<br \/>\nDream Warriors &#8211; And Now the Legacy Begins<br \/>\nMaestro Fresh Wes &#8211; Symphony In Effect<br \/>\nDaniel Lanois &#8211; Acadie<br \/>\nSarah McLachlan &#8211; Fumbling Towards Ecstasy<br \/>\nMain Source &#8211; Breaking Atoms<br \/>\nAlanis Morissette &#8211; Jagged Little Pill<br \/>\nMary Margaret O&rsquo;Hara &#8211; Miss America<br \/>\nJohn Oswald &#8211; Plunderphonics<br \/>\nThe Tragically Hip &#8211; Fully Completely<\/p>\n<div><strong>1996-05<\/strong><\/div>\n<div>Arcade Fire &#8211; Funeral<\/div>\n<div>Bran Van 3000 &#8211; Glee<\/div>\n<div>Broken Social Scene &#8211; You Forgot It In People<\/div>\n<div>Constantines &#8211; Shine A Light<\/div>\n<div>The Dears &#8211; No Cities Left<\/div>\n<div>Destroyer &#8211; Streethawk<\/div>\n<div>Esthero &#8211; Breath from Another<\/div>\n<div>Feist &#8211; Let It Die<\/div>\n<div>k-os &#8211; Joyful Rebellion<\/div>\n<div>Lhasa de Sela &#8211; La Llorona<\/div>\n<p>Quelques changements ont \u00e9t\u00e9 faits pour la deuxi\u00e8me ann\u00e9e du Prix du Patrimoine. Le plus grand changement se retrouve au niveau de l\u2019ajustement des ann\u00e9es comprises dans chaque \u00e9poque. Pr\u00e9c\u00e9demment, les quatre \u00e9poques du Prix du Patrimoine \u00e9taient les ann\u00e9es 60-70, les ann\u00e9es 80, les ann\u00e9es 90 et les ann\u00e9es 2000 (2000-05).<\/p>\n<p>Un autre des changements est en lien avec la composition du jury. L\u2019ann\u00e9e derni\u00e8re, les albums nomm\u00e9s pour toutes les \u00e9poques avaient \u00e9t\u00e9 d\u00e9termin\u00e9s par un seul bassin de 25 jur\u00e9s. Cette ann\u00e9e, chaque \u00e9poque a son propre jury sp\u00e9cifique.<\/p>\n<p>Les voici:<\/p>\n<div>\n<div class=\"im\">\n<div><strong>1960-75<\/strong><\/div>\n<div>Rob Bowman<\/div>\n<div>Alain Brunet<\/div>\n<div>Stephen Cooke<\/div>\n<div>Mary Dickie<\/div>\n<div>Tom Harrison<\/div>\n<div>Nicholas Jennings<\/div>\n<div>Pierre Landry<\/div>\n<div>Francois Marchand<\/div>\n<div>David Marsden<\/div>\n<div>Bob Mersereau<\/div>\n<div>Sean Michaels<\/div>\n<div>Nicolas Tittley<\/div>\n<div>Andrea Warner<\/div>\n<div><\/div>\n<div><strong>1976-85<\/strong><\/div>\n<div>Denise Benson<\/div>\n<div>Laurie Brown<\/div>\n<div>Alain Brunet<\/div>\n<div>David Dacks<\/div>\n<div>Mary Dickie<\/div>\n<div>Tom Harrison<\/div>\n<div>Nicholas Jennings<\/div>\n<div>Sarah Liss<\/div>\n<div>Francois Marchand<\/div>\n<div>Bob Mersereau<\/div>\n<div>John Sakamoto<\/div>\n<div>Ian Steaman<\/div>\n<div>Michael Williams<\/div>\n<div>Carl Wilson<\/div>\n<div><\/div>\n<div><strong>1986-95<\/strong><\/div>\n<div>Mike Bell<\/div>\n<div>Stuart Berman<\/div>\n<div>Laurie Brown<\/div>\n<\/div>\n<\/div>\n<div>Evelyne Cote<\/div>\n<div>T\u2019Cha Dunlevy<\/div>\n<div>Dalton Higgins<\/div>\n<div>Liisa Ladouceur<\/div>\n<div>Pierre Landry<\/div>\n<div>Sarah Liss<\/div>\n<div>John Sakamoto<\/div>\n<div>Michael Williams<\/div>\n<div>Carl Wilson<\/div>\n<div>Jill Wilson<\/div>\n<div><\/div>\n<div><strong>1996-05<\/strong><\/div>\n<div>Mike Bell<\/div>\n<div>Denise Benson<\/div>\n<div>Stuart Berman<\/div>\n<div>Evelyne Cote<\/div>\n<div>David Dacks<\/div>\n<div>Dalton Higgins<\/div>\n<div>Liisa Ladouceur<\/div>\n<div>Sean Michaels<\/div>\n<div>John Sakamoto<\/div>\n<div>Ian Steaman<\/div>\n<div>Nicolas Tittley<\/div>\n<div>Andrea Warner<\/div>\n<p>Ces jur\u00e9s voteront et honoreront \u00e9galement un album de chacune des quatre \u00e9poques, en plus des albums gagnants d\u00e9termin\u00e9s par le vote public.<\/p>\n<p>Le Prix du Patrimoine 2015 a honor\u00e9 les albums suivants:<\/p>\n<p><strong>Les ann\u00e9es 60 et 70<\/strong><\/p>\n<div>Joni Mitchell \u2013 Blue<\/div>\n<p><strong>Les ann\u00e9es 80<\/strong><\/p>\n<div>\n<p>Cowboy Junkies \u2013 The Trinity Session<\/p>\n<\/div>\n<div><strong>Les ann\u00e9es 90<\/strong><\/div>\n<div>\n<p>Sloan \u2013 Twice Removed<\/p>\n<\/div>\n<div><strong>Les ann\u00e9es 2000 (2000 \u2013 2005)<\/strong><\/div>\n<div>Peaches \u2013 The Teaches Of Peaches<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Les albums nomm\u00e9s pour le Prix du Patrimoine Polaris de la famille Slaight 2016 ont \u00e9t\u00e9 d\u00e9voil\u00e9s. Le Prix du Patrimoine pr\u00e9sente une courte liste de 10 albums pour chacune des quatre \u00e9poques musicales distinctes suivantes: 1960-75, 1976-85, 1986-95 et 1996-2005. La courte liste de chaque \u00e9poque a \u00e9t\u00e9 s\u00e9lectionn\u00e9e par un groupe d\u2019historiens et [&hellip;]<\/p>\n","protected":false},"author":16,"featured_media":15576,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[5,228],"tags":[250],"class_list":["post-15579","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classifiee","category-prix-du-patrimoine","tag-slaight-family-polaris-heritage-prize"],"acf":[],"yoast_head":"<title>Les nomm\u00e9s du Prix du Patrimoine Polaris de la famille Slaight sont d\u00e9voil\u00e9s; le vote est ouvert - Prix de Musique Polaris<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/polarismusicprize.ca\/fr\/blog\/les-nommes-du-prix-du-patrimoine-polaris-de-la-famille-slaight-sont-devoiles-le-vote-est-ouvert\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Les nomm\u00e9s du Prix du Patrimoine Polaris de la famille Slaight sont d\u00e9voil\u00e9s; le vote est ouvert - Prix de Musique Polaris\" \/>\n<meta property=\"og:description\" content=\"Les albums nomm\u00e9s pour le Prix du Patrimoine Polaris de la famille Slaight 2016 ont \u00e9t\u00e9 d\u00e9voil\u00e9s. Le Prix du Patrimoine pr\u00e9sente une courte liste de 10 albums pour chacune des quatre \u00e9poques musicales distinctes suivantes: 1960-75, 1976-85, 1986-95 et 1996-2005. La courte liste de chaque \u00e9poque a \u00e9t\u00e9 s\u00e9lectionn\u00e9e par un groupe d\u2019historiens et [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/polarismusicprize.ca\/fr\/blog\/les-nommes-du-prix-du-patrimoine-polaris-de-la-famille-slaight-sont-devoiles-le-vote-est-ouvert\/\" \/>\n<meta property=\"og:site_name\" content=\"Prix de Musique Polaris\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/polarismusicprize\" \/>\n<meta property=\"article:author\" content=\"https:\/\/facebook.com\/aaron.brophy\" \/>\n<meta property=\"article:published_time\" content=\"2016-09-23T14:38:24+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2016-10-24T18:27:29+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/polarismusicprize.ca\/wp-content\/uploads\/2016\/09\/Heritage-Prize-mic-square-612.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"612\" \/>\n\t<meta property=\"og:image:height\" content=\"612\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Aaron Brophy\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@https:\/\/twitter.com\/aaronjjbrophy\" \/>\n<meta name=\"twitter:site\" content=\"@PolarisPrize\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Aaron Brophy\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/polarismusicprize.ca\\\/fr\\\/blog\\\/les-nommes-du-prix-du-patrimoine-polaris-de-la-famille-slaight-sont-devoiles-le-vote-est-ouvert\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/polarismusicprize.ca\\\/fr\\\/blog\\\/les-nommes-du-prix-du-patrimoine-polaris-de-la-famille-slaight-sont-devoiles-le-vote-est-ouvert\\\/\"},\"author\":{\"name\":\"Aaron Brophy\",\"@id\":\"https:\\\/\\\/polarismusicprize.ca\\\/#\\\/schema\\\/person\\\/d986e09994d85c97a180ad28c02ed3f1\"},\"headline\":\"Les nomm\u00e9s du Prix du Patrimoine Polaris de la famille Slaight sont d\u00e9voil\u00e9s; 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