{"id":77653,"date":"2025-08-06T13:55:22","date_gmt":"2025-08-06T17:55:22","guid":{"rendered":"https:\/\/polarismusicprize.ca\/?p=77653"},"modified":"2025-09-05T10:25:06","modified_gmt":"2025-09-05T14:25:06","slug":"polaris-concert-award-ceremony","status":"publish","type":"post","link":"https:\/\/polarismusicprize.ca\/fr\/blog\/polaris-concert-award-ceremony\/","title":{"rendered":"Polaris Concert & Award Ceremony"},"content":{"rendered":"

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$40 Concert | Sep 16, Doors 7PM, Show 8 PM – 10 PM | <\/b>Massey Hall<\/b><\/a>, Toronto
\n<\/b>19+ | Accessible<\/b><\/p>\n

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The Polaris Festival culminates in the Polaris Concert & Award Ceremony presented by CBC and Powered by FACTOR on September 16, 2025, at the legendary Massey Hall. This unmissable evening celebrates the art of Canadian music with live performances by the 2025 Polaris Album Short List: Bibi Club, Lou-Adriane Cassidy, Marie Davidson, Nemahsis, Population II, Ribbon Skirt, Saya Gray, The OBGMs, Yves Jarvis, and more, hosted by 2019 Polaris winner Haviah Mighty. Audiences will discover who wins the Polaris Music Album Prize, the SOCAN Polaris Song Prize, and two Heritage Prize designations. Join us for this immersive, one-night-only celebration of bold, visionary music. Get 15% off tickets by signing up for the Polaris newsletter.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n

Buy tickets now.<\/a><\/h1>\n

Get a 15% discount off Concert & Awards Ceremony tickets.<\/a><\/p>\n

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Bibi Club<\/strong><\/p>\n

The pair named themselves \u201cBibi Club\u201d for the discotheque in their living room, where the couple\u2019s bibis \u2014 their loved ones \u2014 come and dance. Their album Le soleil et la mer<\/em> was widely praised since its release, earning the band the \u201cBest Newcomers\u201d award at the GAMIQ 2022 Awards and a nomination in the same category at the ADISQ Awards 2022. Le soleil et la mer<\/em> was featured on the 2023 Polaris Music Prize Long List and amongst the best Quebec albums of 2022 according to Le Devoir. In France, the duo has been making waves since its debut. Following praise from Les Inrocks, Magic Magazine, Lib\u00e9ration, and an official playlist add on France Inter, the band was included in the Best Albums of the Year by Les Inrocks and in the 10 Newcomers of the Year by Tsugi Magazine. They filmed a Blogoth\u00e8que Take Away Show. BBC6 Music has supported the band by featuring them several times on Steve Lamacq\u2019s cult show.<\/p>\n

Bibi Club have opened for Blonde Redhead, Patrick Watson, Pomme and November Ultra, in addition to performing in France at MaMA Festival, in England at The Great Escape, in the United States at SXSW, in Wales at Focus Wales, in Brazil, in Germany, and in Canada during a vast summer tour. And the list grows longer every day. @bibiclubmusic<\/a><\/p>\n

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Lou-Adriane Cassidy<\/strong><\/p>\n

Lou-Adriane Cassidy is one of the most compelling voices in Quebec\u2019s new wave. Winner of the 2022 F\u00e9lix-Leclerc Prize and the Slaight Music Award, she\u2019s also earned accolades from ADISQ, GAMIQ, and France\u2019s Acad\u00e9mie Charles-Cros. Her role in the acclaimed concert series Le Roy, la Rose et le Lou[p], hailed by La Presse as a \u201chistoric moment,\u201d helped cement her reputation as a generational artist.<\/p>\n

Cassidy\u2019s debut album C\u2019est la fin du monde \u00e0 tous les jours<\/em> stood out for its emotional depth and mature restraint. Cassidy is also a live sensation, earning praise as Le Devoir\u2019s \u201cBest Quebec Concert of 2022.\u201d Her tours have taken her across Canada and to stages in France and Switzerland.<\/p>\n

Now, with her third album Journal d\u2019un Loup-garou<\/em>, Cassidy enters a new artistic chapter. Leaving behind both French chanson and grunge-infused indie, she explores poppier, more contemporary sounds \u2014 without sacrificing intensity. The album is bold and vulnerable: she confronts the music industry, explores inherited pain, and reclaims her creative agency.<\/p>\n

Cassidy sings with raw freedom and clarity of vision, confirming what audiences have long known\u2014she\u2019s a magnetic performer with something vital to say. Journal d\u2019un Loup-garou<\/em> isn\u2019t just a new direction\u2014it\u2019s a statement. @louadriyo<\/a><\/p>\n

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Marie Davidson<\/strong><\/p>\n

Marie Davidson, a pivotal figure in Montr\u00e9al’s vibrant electronic music scene, brings a multi-dimensional approach to her craft. Davidson\u2019s journey in music extends over a decade, exploring genres ranging from ambient and techno to synth pop and spoken word. Her dynamic output reflects a complex tapestry of introspection, shadowed by darker, more ponderous tones yet always punctuated by an undercurrent of humor and vulnerability.<\/p>\n

Davidson\u2019s musical narrative is not confined to her solo projects. As part of Essaie pas and Marie Davidson & L’\u0152il nu, she has captivated global audiences with her incisive sound and energetic stage presence. Her ability to weave dramatic intensity with playful exuberance during live performances underscores her distinct identity in the music world.<\/p>\n

Her discography, spanning influential labels like Ninja Tune and DFA Records, showcases her versatility and willingness to push boundaries. Beyond her personal projects, Davidson extends her musical prowess to theatrical realms, composing for Animals of Distinction, a testament to her adaptive and expansive artistic vision. @mariedavidson.official<\/a><\/p>\n

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Nemahsis<\/strong><\/p>\n

The musical instincts of compelling Palestinian-Canadian singer\/songwriter Nemahsis began when she was young. As music was not played in her family home, when Nemah found music she found it for herself, which made her discovery all the sweeter and more startling. Growing up on a farm in Milton, Ontario, Nemah was born into a close knit family with 5 brothers and sisters all one year apart; a rural upbringing that shapes much of her artistic identity.\u00a0 @nemahsis<\/a><\/p>\n

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Population II<\/strong><\/p>\n

Population II is a band dedicated to its disengagement, constantly working on refining their imposing, yet unpretentious sound. A trio consisting of singer\/drummer Pierre-Luc Gratton, guitarist\/keyboardist Tristan Lacombe and bassist S\u00e9bastien Proven\u00e7al, Population II are masters at both improvised madness and sophisticated composition, delivering heavy psychedelic rock infused with feverish funk rhythms, a hint of jazz philosophy, a burst of energy reminiscent of punk’s early days, and a love of minor scales that harkens back to the roots of heavy metal.\u00a0 @populationii<\/a><\/p>\n

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Ribbon Skirt<\/strong><\/p>\n

Ribbon Skirt is a Montreal-based post-punk band led by Anishinaabe musician Tashiina Buswa and lead guitarist Billy Riley. The band released their debut album Bite Down<\/em> on Mint Records in April 2025. Produced by Scott Munro (Preoccupations) and mixed by Greg Saunier (Deerhoof), the album marks a shift toward a darker, more introspective sound, exploring themes of memory, grief, and Buswa\u2019s connection to her Indigenous identity and cultural practices.<\/p>\n

Ribbon Skirt has performed at major festivals across North America, including SXSW, New Colossus, Sled Island, Sappyfest, and Pop Montreal, sharing the stage with artists like Dehd, Ombiigizi, Packs, Wombo, Marnie Stern, Enumclaw, and Chad VanGaalen.\u00a0 @ribbonskirtband<\/a><\/p>\n

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Saya Gray<\/strong><\/p>\n

Japanese-Canadian artist, Saya Gray has a unique ability to create a collage of sounds that feel both comforting and disorienting, vast yet intimate. Her releases so far, 2022\u2019s 19MASTERS<\/em>, 2023\u2019s QWERTY I<\/em> and 2024\u2019s QWERTY II<\/em> were made in periods of intense isolation, and as Saya herself describes it, she puts \u20181000 personalities in one song\u2019. It\u2019s this unfiltered, frenzied approach to her art that she feels is necessary to reclaim her sense of self in an ever changing world – and in the process marking her as one of the most exciting, up and coming musicians operating today. 2025 is a landmark year for Saya as she released her debut album SAYA<\/em> – which is by far her most personal and intimate project to date. @sayagray<\/a><\/p>\n

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The OBGMs<\/strong><\/p>\n

The OBGMs fuse punk, rock, and hip-hop into an electrifying sound that’s garnered critical acclaim. Known for their ferocious live performances, they’ve shared stages with heavyweights like Death From Above, PUP, and Alexisonfire. Their explosive energy and genre-defying approach make them a force to be reckoned with, poised to leave an indelible mark on the music scene and captivate audiences worldwide with their raw, unapologetic style. @theobgms<\/a><\/p>\n

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Yves Jarvis<\/strong><\/p>\n

Make ready and say \u201cah\u201d to <\/span>All Cylinders <\/span><\/i>\u2014 the golden, textured new album by one of Montreal\u2019s most original musicians. Yves Jarvis, aka Jean-S\u00e9bastien Yves Audet, is no longer simply a recording artist: now, he says, he\u2019s a songwriter. These 16 tracks of brazen songcraft and pure musicianship are things he played himself, without a single additional contributor (\u201cNot even one!\u201d), and see the 4X-Polaris-nominated artist turn with pleasure to the stuff of verses, choruses, hooks and hits.<\/span><\/p>\n

\u201cI basically only listened to Frank Sinatra for a year,\u201d Jarvis says. He wanted Sinatra\u2019s \u201cclarity\u201d \u2014 \u00ab\u00a0the way the songs exist without him, as real things.\u201d Whereas the 28-year-old previously approached music as something <\/span>sculptural<\/span><\/i>, \u201cthis time I just made a ton of songs,\u201d working with an old laptop and bare-bones software, \u201cno pretense.\u201d \u201cInstead of making a world, I thought: \u2018I\u2019m a band. The drums are there to keep the beat.\u2019\u201d<\/span><\/p>\n

As always, Yves Jarvis is distinguished by his sound \u2014 a warm, vivid thing that feels at once like a handknit piece of fabric and a sheet of precious metal. He is dedicated to a music that condenses folk, R&B, country, blues, Americana\u2014with a touch that\u2019s contemporary, even futuristic, and smashes together a stunning array of influences, from Serge Gainsbourg and Judee Sill to Ray Charles, Brian Eno and Throbbing Gristle. Tunes like \u201cSilver KG\u201d and the title track are iridescent road songs; at other moments Jarvis meditates on truth, fiction and the utterly cosmic. Throughout, <\/span>All Cylinders <\/span><\/i>seems to shimmer in a middle space, part-real and part-celestial. The world\u2019s full of love; it\u2019s also full of mystery. \u201cThank God I\u2019m me,\u201d Yves Jarvis admits. \u201cIt would suck to be anybody else.\u201d @yvesjarvis<\/a><\/span><\/p>\n

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Mustafa – Will not be Performing<\/strong><\/p>\n

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Dunya<\/em>, the title of Mustafa\u2019s masterfully crafted and breathtakingly tender full-length debut, roughly translates from Arabic to \u201cthe world in all its flaws.\u201d It\u2019s a lofty subject for a young songwriter, but as with every theme at the heart of the Sudanese-Canadian artist\u2019s work\u2014from religious devotion to childhood trauma, gang violence to romantic intimacy\u2014he approaches it through a personal lens. Blending genres and moods, weaving novelistic details into instantly memorable folk songs, he has crafted a record that feels like a series of personal breakthroughs, arriving one after the other.<\/p>\n<\/div>\n

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The first thing that strikes you about Mustafa\u2019s music has always been his writing: a simple, piercing tone that can make any story feel as raw and earnest as the words to a love song. With a hushed delivery that can silence his surroundings, Mustafa evolved swiftly from a child prodigy reciting poems throughout his native Toronto to a behind-the-scenes pop songwriting force. On\u00a0Dunya<\/em>, he becomes a full-on auteur in his own right.<\/p>\n<\/div>\n

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\u201cI\u2019m trying to preserve and celebrate the ordinary life in the hood,\u201d Mustafa notes of his lyrical inspiration. Exploring his upbringing and trajectory onward, these songs are equally disarming in their simplicity and multilayered in their emotional breadth. Featuring appearances from collaborators such as Aaron Dessner, Rosali\u0301a, Clairo, Nicolas Jaar, and more, alongside Mustafa\u2019s longtime creative partner Simon Hessmann, the music reveals a confident, distinctive voice that\u2019s never sounded more poised for the masses. Even when it sounds like he\u2019s taking on the world, Mustafa is speaking only for himself: a story that he knows is just getting started. @mustafathepoet<\/a><\/p>\n<\/div>\n

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Haviah Mighty – Host<\/strong><\/div>\n
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Haviah Mighty didn\u2019t need to change her birth name when she decided to dedicate her career to music. Mighty could not better describe Haviah\u2019s craft of provocative challenges and uncompromising truths.<\/p>\n

Based out of Brampton via Toronto, Haviah has spent a lifetime developing her skills as a songwriter, vocalist, producer, and performer, culminating in a style of profound introspection and incisive socio-political critique. Her dynamic combinations of rap, song, and instrumental transition seamlessly from hip-hop to soul to afrobeats with a meticulous flow and cadence that transcends any traditional expectation of genre.<\/p>\n

2019 saw Haviah earn break-out success with her album, 13th Floor, making her the first hip-hop artist and the first\u00a0Black woman to win the\u00a0Polaris Music Prize, celebrating the \u201cBest Canadian Album of the Year\u201d – but Mighty didn\u2019t\u00a0stop there. With her\u00a0JUNO Award-winning mixtape, Stock Exchange (Nov. 2021), Haviah made history once again as the first woman to ever win within the Rap Album of the Year category.\u00a0Most recently, Haviah was the only Canadian nominee at the\u00a02022 BET Hip-Hop Awards\u00a0within the ‘Best International Flow’ category. Recognition has spread\u00a0internationally, garnering praise from the likes of Rolling Stone, Pitchfork, GRM Daily, FADER, Hot New Hip Hop,\u00a0and so many more.\u00a0In November of 2023 Haviah was featured on the viral song\u00a0Trendsetter\u00a0by\u00a0Connor Price.\u00a0 The song to date has amassed more than 36 million streams world wide.\u00a0 In May of 2024 Haviah embarked on a European tour, with a couple dates in the Uk, Denmark, Ireland, Germany and Prague supporting\u00a0Shabazz Palaces. In August of 2024 Haviah’s single\u00a0Double the Fun single\/video\u00a0was released to Global Support by Spotify.\u00a0 Haviah made more noise by hosting and performing in the first ever first ever\u00a0Billboard Canada Women in Music in September of 2024.<\/p>\n

Mighty pushes forward continuing to carve out spaces that boldly defy gendered expectations for women in hiphop. Unyielding and irresistible \u2013 Haviah Mighty will be heard. @haviahmighty<\/a><\/p>\n<\/div>\n

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POLARIS MUSIC PRIZE<\/strong><\/p>\n

Polaris Music Prize is a Canadian charitable arts organization celebrating 20 years of honouring music as art. From June to September 2025, the new Polaris Music Prize Festival brings concerts, salons, and listening sessions to Toronto and across Ontario \u2014 culminating in the Polaris Concert & Award Ceremony on September 16 at Massey Hall. Through its Album, Song, and Heritage Prizes, Polaris amplifies Canadian artists based on artistic merit \u2014 not genre, sales, or algorithmic popularity. With 700+ artists championed, over $1.4M in prize and artist fees awarded, and a jury of over 200 music critics and curators, Polaris protects space for boundary-pushing music and fosters a deeper national music culture. Learn more at polarismusicprize.ca.<\/p>\n

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CBC<\/a> presents the 2025 Polaris Music Prize. This year’s Concert & Award Ceremony is powered by FACTOR<\/a>, the Government of Canada, and Canada\u2019s private radio broadcasters. It is supported by SiriusXM Canada, Ontario Creates, the Government of Ontario, the Ontario Cultural Attractions Fund, and the Slaight Family Foundation.<\/span><\/p>\n

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The event is part of the Polaris Music Prize Festival presented by SiriusXM Canada<\/a>. CBC presents the 2025 Polaris Music Prize. This project is funded in part by FACTOR, the Government of Canada, and Canada\u2019s private radio broadcasters. It is supported by SiriusXM Canada, Ontario Creates, the Government of Ontario, the Ontario Cultural Attractions Fund, the Slaight Family Foundation, Solly’s, Rosehall Run Vineyards, Local Spirit Distilling Co., Dejado Tequila, and Steamwhistle.<\/p>\n

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