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Tag archive: Mary Margaret O’Hara (5)


Zoon Covers Mary Margaret O’Hara’s “To Cry About” For SiriusXM Polaris Cover Sessions

The Polaris Music Prize has just launched the much-awaited 2023 edition of their Cover Sessions series, featuring some of Canada’s most celebrated artists. For those unfamiliar, the Cover Sessions series sees past Polaris Prize nominees put their unique spin on classic Canadian songs, resulting in stunning and often unexpected renditions. The first release from this […]

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Little Scream Does Mary Margaret O’Hara’s “Anew Day” For SiriusXM Polaris Cover Session

The Polaris Music Prize, presented by CBC Music and produced by Blue Ant Media, has revealed its third SiriusXM Polaris Cover Session for 2017 featuring Little Scream reinterpreting “Anew Day” from Mary Margaret O’Hara’s 1988 album Miss America. An in-studio performance video of the song is now available via the Polaris Music Prize’s YouTube channel. […]

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Revealed! 2016 Slaight Family Polaris Heritage Prize Commemorative Posters

Commemorative posters honouring the eight albums that received Slaight Family Polaris Heritage Prize in 2016 have been revealed. The albums being honoured and the artists who designed their posters are: Arcade Fire – Funeral by Ivo Matić  Blue Rodeo – Five Days In July by Carl Wiens  Leonard Cohen – Songs Of Leonard Cohen by […]

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Polaris Podcast EP4: Interviews With Arcade Fire, Blue Rodeo, Patrick Watson, More

Polaris Podcast episode four has arrived. This episode is the second of two parts dedicated to exploring the eight albums that were honoured with the 2016 Slaight Family Polaris Heritage Prize. The four Heritage Prize-winning albums we’ll be talking about in this episode are: * Blue Rodeo Five Days In July, which won in the […]

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2016 Slaight Family Polaris Heritage Prize Winning Albums Announced

The eight winning albums for the 2016 Slaight Family Polaris Heritage Prize have been announced. The winners were chosen from four Short Lists, each representing a different musical era (1960-75, 1976-85, 1986-95, 1996-2005), and were curated by juries of music historians and music media. Two winners for each era were chosen — one by public vote […]

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